Tom and Jerry

Tom and Jerry is an American animated series of short films created in 1940, by William Hanna and Joseph Barbera. It centers on a rivalry between its two title characters, Tom and Jerry, and many recurring characters, based around slapstick comedy.

In its original run, Hanna and Barbera produced 114 Tom and Jerry shorts for Metro-Goldwyn-Mayer from 1940 to 1958. During this time, they won seven Academy Awards for Animated Short Film, tying for first place with Walt Disney's Silly Symphonies with the most awards in the category. After the MGM cartoon studio closed in 1957, MGM revived the series with Gene Deitch directing an additional 13 Tom and Jerry shorts for Rembrandt Films from 1961 to 1962. Tom and Jerry then became the highest-grossing animated short film series of that time, overtaking Looney Tunes. Chuck Jones then produced another 34 shorts with Sib Tower 12 Productions between 1963 and 1967. Three more shorts were produced, "The Mansion Cat" in 2001, "The Karate Guard" in 2005, and "A Fundraising Adventure" in 2014, making a total of 164 shorts. Various shorts have been released for home media since the 1990s.

A number of spin-offs have been made, including the television series The Tom and Jerry Show (1975), The Tom and Jerry Comedy Show (1980–82), Tom and Jerry Kids (1990–93), Tom and Jerry Tales (2006–08), and The Tom and Jerry Show (2014–present). The first feature-length film based on the series, Tom and Jerry: The Movie, was released in 1992, and 13 direct-to-video films have been produced since 2002.

The series features comic fights between an iconic set of adversaries, a house cat (Tom) and a mouse (Jerry). The plots of each short usually center on Tom's numerous attempts to capture Jerry and the mayhem and destruction that follows. Tom rarely succeeds in catching Jerry, mainly because of Jerry's cleverness, cunning abilities, and luck. However, there are also several instances within the cartoons where they display genuine friendship and concern for each other's well-being. At other times, the pair set aside their rivalry in order to pursue a common goal, such as when a baby escaped the watch of a negligent babysitter, causing Tom and Jerry to pursue the baby and keep it away from danger.

The cartoons are known for some of the most violent cartoon gags ever devised in theatrical animation such as Tom using everything from axes, hammers, firearms, firecrackers, explosives, traps and poison to kill Jerry. On the other hand, Jerry's methods of retaliation are far more violent due to their frequent success, including slicing Tom in half, decapitating him, shutting his head or fingers in a window or a door, stuffing Tom's tail in a waffle iron or a mangle, kicking him into a refrigerator, getting him electrocuted, pounding him with a mace, club or mallet, letting a tree or electric pole drive him into the ground, sticking matches into his feet and lighting them, tying him to a firework and setting it off, and so on.^[1] Because of this, Tom and Jerry has often been criticized as excessively violent. Despite the frequent violence, there is no blood or gore in any scene.^{[2]:42[3]:134}

Music plays a very important part in the shorts, emphasizing the action, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music; Bradley often reprised contemporary pop songs, as well as songs from MGM films, including The Wizard of Oz and Meet Me in St. Louis, which both starred Judy Garland in a leading role.

Generally, there is little dialogue as Tom and Jerry almost never speak; however, minor characters are not similarly limited, and the two lead characters are able to speak English on rare occasions and are thus not mute. For example, the character Mammy Two Shoes has lines in nearly every cartoon in which she appears. Most of the vocal effects used for Tom and Jerry are their high-pitched laughs and gasping screams.

Series by gdgd Fairies staff

Manga based on Production I.G anime adaptation of Kōji Yanagi espionage novel launched February 2016 ― The February issue of Mag Garden's Comic Garden magazine published the final chapter of Subaru Nitō's Joker Game The Animation manga last Friday. The manga is based on the Production I.G television anime, itself based on Kōji Yanagi's novel of the same name. 

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Series by gdgd Fairies staff premieres on Monday ― The official website for the gdgd men's party (gd Men, pronounced "gudamen") television anime began streaming the fourth promotional video for the series on Monday. The video previews Eri Kitamura's opening theme song "Bōsō Teikoku Chikuonki" 

Saki Achiga-hen episode of side-A casts Minami Hamabe as Teru after she played Saki ― The official website for the live-action film and television series adaptations of Ritz Kobayashi and Aguri Igarashi's Saki Achiga-hen episode of side-A mahjong spinoff manga revealed on Monday that Minami Hamabe (seen 

Latest console sold 3.4 million in Japan ― Famitsu is reporting this week that the Nintendo Switch console has sold more than 3,407,158 units in Japan — surpassing the lifetime sales of Nintendo's Wii U console, which sold 3,301,555 units in that country. Nintendo ended production of the Wii U console in early 

2 more manga launching on January 6 ― The February issue of Kadokawa's Dengeki G's Comic magazine revealed on December 27 that Bushiroad and Nelke Planning's Shōjo☆Kageki Revue Starlight franchise will get another manga adaptation titled Shōjo☆Kageki Revue Starlight Overture in the next issue on January 30. Sora Goto is creating the manga an

The official Facebook page for Toonami announced on Saturday that the Space Dandy anime will return to the programming block on January 27 at 2:30 a.m. The full lineup starting on January 27 will be: 10:30p – Dragon Ball Super 11:00p – Dragon Ball Z Kai 11:30p – Black Clover 12:00a – JoJo's Bizarre 

Seasonal Anime

Waking up in a strange virtual world with no recollection of the past, Hakuno finds himself forced to fight for survival in a war he does not understand for a prize beyond value; the opportunity to have one's wish granted. With only an enigmatic "Servant" by his side, Hakuno Kishinami will have to face both friends and foes in battles to the death in order to not only gain possession of a mysterious object known as the "Holy Grail," but also to find the answer to the most important question of all: "Who am I?"

Fashionable Yuzu imagined the first day at her new school she transferred to after her mother's remarriage a bit differently; she didn't know it'd be an ultra-strict and conservative girls' school. So instead of a sweet high-school romance, she butts heads with the stern student council president Mei—who turns out to be her new stepsister. And she has to learn that hate and attraction are often not that far apart.
29-year-old programmer Suzuki Ichirou finds himself transported into a fantasy RPG. Within the game, he's a 15-year-old named Satou. At first he thinks he's dreaming, but his experiences seem very real. Due to a powerful ability he possesses with limited use, he ends up wiping out an army of lizard men and becomes a high leveled adventurer. Satou decides to hide his level, and plans to live peacefully and meet new people. However, developments in the game's story, such as the return of a demon king, may cause a nuisance to Satou's plans.

The story is set in the distant future. The land is ruined, and humanity establishes the mobile fort city Plantation. Pilots produced inside Plantation live in Mistilteinn, also know as the "birdcage." Children live there knowing nothing of the outside world or the freedom of the sky. Their lives consist of battling to carry out missions. Their enemies are mysterious giant lifeforms known as Kyōryū, and the children pilot robots called Franxx to face off against them. For the children, riding the Franxx proves their existence.

A boy named Hiro is called Code:016, and he was once known as a prodigy. However, he has fallen behind, and his existence seems unnecessary. Not piloting a Franxx is the same as ceasing to exist. One day, a mysterious girl known as "Zero Two" appears before him. Two horns grow out of her head.

In a city known as Fukuoka, crime exists in the underworld from a seemingly peaceful surface. In the Hakata ward of the city, there are various individuals with special talent that consists of professional killers, detectives, informants, and professional revenge seekers. Furthermore, according to an urban legend, an individual known as "killer of professional killers" has shown up in the city.

There's an evil creature called Aratama that attacks people, and a group of Miko has been exorcising those creatures using swords since olden times. Those who wear uniforms and swords are called Toji, who are officially called Tokubetsu Saishi Kitoutai (Special Ritual Maneuver Team) in the police association. They are officially approved to wield the swords by the government officials. 

The government has established five training schools consisting of junior and senior high levels for the female students to attend. They spend their student life normally, and use special skills with the swords when they're doing missions to protect people. In the spring, these five schools are to take part in a competition. Among the girls who train for the competition, there's a girl who's a bit more passionate than any other girls. Where would the girl with the sword aim?

 

saint seiya sagas story

The story focuses on an orphan named Seiya who was forced to go to the Sanctuary in Greece to obtain the Bronze Cloth of the Pegasus constellation, a protective armor worn by the Greek goddess Athena's 88 warriors known as Saints. Upon awakening his Cosmos, the power of the Saints which is an inner spiritual essence originated in the Big Bang, Seiya quickly becomes the Pegasus Saint and returns to Japan to find his older sister.

Because his sister disappeared the same day Seiya went to the Sanctuary, Saori Kido, the granddaughter of Mitsumasa Kido (the person who sent all the orphans to train) makes a deal with him to go to fight in a tournament called the Galaxian Wars. In this tournament, all the orphans who survived and became Bronze Saints must fight to win the most powerful Cloth: The Sagittarius Gold Cloth. If Seiya goes to compete there and wins, Saori would start a search to find Seiya's sister. The tournament is interrupted by the revengeful Phoenix Bronze Saint, Ikki, who wishes to eliminate track from the people who forced him undergo his training. He steals parts from the Sagittarius Cloth and eventually fights against the remaining Bronze Saints: Seiya, Shun (Ikki's brother), Shiryū, and Hyōga, to complete it.

Upon Ikki's defeat, the Bronze Saints are attacked by the Silver Saints sent by the Sanctuary's Pope to eliminate them. When they remain victorious, the Bronze Saints learn that Saori is Athena's reincarnation and that the Pope once tried to kill her as a baby. The Sagittarius Gold Saint Aiolos saved Saori but was killed shortly afterwards and gave Saori to her adopted grandfather, Mitsumasa Kido. Deciding to join forces with Saori, the Bronze Saints go to the Sanctuary to defeat the Pope, but upon their arrival, Saori is severely wounded by a gold arrow from a Silver Saint. Believing the Pope may be able to heal her, the Bronze Saints go to find him. To do so, they have to go through 12 temples, each one guarded by one Gold Saint (the most powerful Saints of Athena). Following several battles, Seiya gets to the Pope's temple and learns that he is the Gold Saint Gemini Saga, who in his madness killed the real Pope to obtain more power. With help from his friends' Cosmos, Seiya is able to knock out Saga and use the shield from Athena's statue to heal Saori. Shortly afterwards, Saga, having come to his senses, commits suicide as a self-punishment.

In the second story arc, the Greek god Poseidon reincarnates within the body of Julian Solo, the heir to a rich and powerful family, who follows his will of flooding the Earth. Saori goes to his Temple, where Julian offers her to reduce the flooding by absorbing the water inside the Oceans' Central Pillar. Following Saori, Seiya, Hyōga, Shun and Shiryū go to Poseidon's underwater Temple and are confronted by his underlings, the Marines. As Seiya, Hyōga, and Shiryū make their way to Julian, Ikki learns that the mastermind behind this war is Saga's twin, Gemini Kanon, who is manipulating Poseidon. During the final battle, Poseidon's spirit awakes within Julian and manages to defeat his opponents. Saved by the Saints from the Pillar, Saori seals Poseidon's soul within her amphora.

The third and last arc follows how Hades, the Underworld god, is freed from his seal and revives the deceased Gold Saints and the Pope Aries Shion, and alongside some of his 108 Specters, sends them to the Sanctuary to kill Athena. The remaining Gold Saints serving Athena are able to subdue the enemies, but Saori then commits suicide. This act is instead meant to directly send her to the Underworld to face Hades, and the Bronze Saints follow her. Shion reveals that the revived Gold Saints' true intentions were of giving Saori her own Cloth, and gives it to Seiya's group before dying once again. In the Underworld, as the Saints fight Hades' Specters, Shun is possessed by Hades. Saori reaches Hades and expels his soul from Shun's body. Hades then takes Saori to Elysium, and the five Bronze Saints follow them. In the final fight against Hades and his two followers, Hypnos and Thanatos, the Saints gain the strongest God Cloths and use them to aid Saori in defeating Hades. However, Seiya also sacrifices himself by receiving one of Hades' attacks, and the Saints return to Earth with his body.

Production[edit]
Media

When Masami Kurumada was in the process of creating Saint Seiya, he gave Seiya the name Rin at first, since Kurumada was going to title his manga "Ginga no Rin" (Rin of the Galaxy). However, as Kurumada continued developing his manga, he decided to change the name to Seiya, which was more fitting. First he spelled the name with the kanji that meant "Holy Arrow", to relate it to Seiya's condition as a Saint, but later decided to use the kanji that meant "Star Arrow", to emphasize the constellation and mythological motif. Finally, he changed his manga title as well, to Saint Seiya, once he fully developed the concept of the Saints. Also, Kurumada state

d that one of the first ideas he conceived for Saint Seiya was the Pegasus Meteor Fist. Since his manga was going to use the constellations as a very important and ever-present theme, he wanted his protagonist to have a special move that would be like a shower of meteors.^[5]

When Kurumada designed Seiya's likeness, he was inspired by his character Ryūji Takane, the protagonist of his hit manga Ring ni Kakero, which he created 9 years before Seiya. Most protagonists of Kurumada's works bear a resemblance to Ryūji, as Kurumada subscribes to the revered Osamu Tezuka's Star System (a stable cast of characters) technique. The same process is done with almost all the other characters from the series.^[5]

Dragon Ball anime followed Goku

Dragon Ball Z follows the adventures of the adult Goku who, along with his companions, defends the earth against an assortment of villains ranging from intergalactic space fighters and conquerors, unnaturally powerful androids and near indestructible magical creatures. While the original Dragon Ball anime followed Goku through childhood into adulthood, Dragon Ball Z is a continuation of his adulthood life, but at the same time parallels the maturation of his son, Gohan, as well as other characters from Dragon Ball and more. The separation between the series is also significant as the latter series takes on a more dramatic and serious tone. The anime also features characters, situations and back-stories not present in the original manga.

Censorship issues
Filler and differences from the manga

The other names the production was considering for this second series before they settled on Dragon Ball Z were Dragon Ball: Gohan's Big Adventure, New Dragon Ball, Dragon Ball 2, Dragon Ball Wonder Boy, and Dragon Ball 90.^[1]The anime first premiered in Japan on April 26, 1989 (on Fuji TV) at 7:30 p.m. and ended on January 31, 1996. The series average rating was 20.5%, with its maximum being 27.5% (Episode 218) and its minimum being 12.1% (Episode 273). Like Dragon Ball, the music for Dragon Ball Z was composed by Shunsuke Kikuchi. The character designs for Dragon Ball Z were created by Minoru Maeda from the Raditz Saga to the Cell Games Saga and Katsuyoshi Nakatsuru from the Great Saiyaman Saga to the Kid Buu Saga.

Toriyama's humor/parody manga Nekomajin, released after Dragon Ball and Dragon Ball Z, features several concepts introduced in the series, and several Dragon Ball Z characters make various appearances in this manga. After Dragon Ball Z, the story of Goku and friends continues in the anime-only series Dragon Ball GT, which is not based on a manga by Akira Toriyama, but is a project by Toei Animation using the same characters and storyline that serves as a sequel to Dragon Ball Z. 19 years after the end of Dragon Ball Z in Japan, a new sequel series titled Dragon Ball Super premiered with original concepts by Akira Toriyama, taking place after the death of Kid Buu but before Dragon Ball Z's ending.

In the U.S., the series initially aired in first-run syndication from September 13, 1996 to May 23, 1998, and then aired on Cartoon Network's Toonami block from August 31, 1998 to April 7, 2003, though not always with the same continuity of dubbing (for details on the dubbing problems, see Ocean Group dubs and Funimation dub). In was also shown in Canada on YTV around the same time. It aired in the UK, with the same dubbing problem, on Cartoon Network, premiering on March 6, 2000 and running on that channel until 2002. The Majin Buu Saga, Fusion Saga and Kid Buu Saga were later broadcast on CNX, which later changed its name to Toonami, with the show ending on February 28, 2003. After the finished run, it was repeated daily, until Toonami merged with Cartoon Network Too. In Australia it was shown on both Cartoon Network and the Australian Broadcasting Corporation with Cartoon Network airing it in around 1997-1999 and ABC from 1999-2004. In New Zealand it was shown in TV3.

In April 2009, a new 'refresh' of Dragon Ball Z began airing on Japanese television. This re-cut is titled Dragon Ball Z Kai.

Dragon Ball Z was marketed to appeal to a wide range of viewers from all ages, and contains crude humor and occasional excesses of violence which are commonly seen as inappropriate for younger audiences by American standards. When it was first marketed in the US, the distribution company Funimation alongside Saban decided to initially focus exclusively on the young children's market, because the anime market was still small compared to the much larger children's cartoon market. This censorship often had unintentionally humorous results, such as changing all references to death so the dead characters were merely going to "another dimension", and digitally altering two ogres' shirts to read "HFIL" instead of "HELL".

Starting with the Captain Ginyu Saga on Cartoon Network, censorship was reduced due to fewer restrictions on cable programming. Funimation did the dubbing on their own this time around with their own voice actors. In 2004, Funimation began to redub the first two sagas of Dragon Ball Z, to remove the problems that were caused from their previous partnership with Saban. They also redubbed the first three movies.

However, the show still retained some level of censorship, not out of FCC laws, but out of choice by Funimation, so as to cater to the possible sensitivity of western audiences. For example, Mr. Satan was renamed "Hercule" to avoid any religious slurs; his daughter, Videl, was a play on the word "Devil", but Funimation felt that the connection was obscure enough to not worry about.